Jerin waƙoƙin mawaƙa na lokaci daban-daban

An fassara kalmar "chanson" daga Faransanci a matsayin "song". A yau an kira wannan lokacin kiran sauti. Amma a Renaissance a kasar Faransa an kira shi da waƙoƙin ɓangarori masu yawa. Wannan ya ci gaba har zuwa karshen karni na 19. A cikin shekarun 80s, waƙoƙin da aka yi a cabaret sun zama sanannun "chanson". Su ne ƙananan labarun rayuwar da aka gaya wa kiɗa. A flowering wannan m Genre zo a cikin 50th shekaru na karshe karni. A lokacin ne kuma a Faransa da wasu ƙasashen Faransanci, 'yan mawaƙa masu yawa sun fito a filin fage. Jerin wadannan masu yi a cikin haruffa na zinariya an rubuta su cikin tarihin kiɗa na Faransa.

Hakan farko

A tsakiyar zamanai, kafin chanson - sautunan wadanda mutane songs - akwai trouveres - monophonic vocal ayyukansu. Wanda ya kafa wannan nau'in shi ne mai kirkiro Guy de Macho na karni na 14. Daga bisani, abokan aikinsa daga Burgundy G. Dufay da J. Benshua sun ha] a da wa] ansu sassa uku. Tun daga karni na 16, makarantar Paris na Chanson, jagorancin C. de Sermisi, P. Serton, da wasu sun fito, wanda daga baya ya yada a Turai.

Harshen zamani

Lokaci na zamani ya fara a karshen karni na 19. Mawallafa na farko na irin wannan nau'in Astrid Bruan, Mistingett da sauransu sunyi aiki a cikin cabaret. Daga baya, a farkon shekarun karni na 20, chanson da aka gyara - "kwaikwayon na gaskiya" (chanson realiste) - ya tashi zuwa ga aikin sana'a. Sunan sunayen masu aikin kwaikwayo a cikin wannan nau'in sun hada da jerin sunayen mawaƙa: Edith Piaf, Ferel, Damia, da dai sauransu. Bayan dan lokaci kadan, a tsakiyar karni daya, an kafa mahimman abubuwa guda biyu na harshen Faransanci na yau da kullum: waƙoƙi na gargajiya da kuma waƙa.

Nau'in kundin gargajiya

Bukatar da ake buƙata don waƙoƙin wannan nau'in shi ne ɓangaren poetic. A matsayinka na mai mulki, marubucin da kuma mai yin aikin wadannan kalmomin murya ɗaya ne. Jerin waƙa na mawaƙa a wannan lokacin kuma jagoran Edith Piaf ne wanda ba shi da kyau. Sauran masu wallafa-wallafe-wallafen irin wannan sune Mista Chevalier, Sh. Trene, J. Brassens da sauransu. Mashawar mawaƙa mai suna S. Adamo da S. Aznavour, duk da cewa aikin su na kusa da waƙar mitar, an haɗa su cikin jerin mawaƙa na mawaƙa.

Masu wasan kwaikwayon wannan nau'i-nau'i-nau'i na wannan lokaci sun fara kiran "chansonnier". Ga su, mafi mahimmanci shine kalmomin, abubuwan da suke ciki da kuma ma'ana. Mawaki na sabon chanson da aka yi amfani dasu a cikin abubuwan wasan kwaikwayo na nau'o'i daban-daban: daga dutsen zuwa jazz.

A Faransanci, yawancin mawaƙa masu yawa suna yin waƙa da kansu. Duk da haka, ayyukansu saboda sauƙin abun ciki ba a ɗauke su ba ne, don haka masanan sunaye irin su Mathieu, J. Dassin, Dalida, Lara Fabian da Patricia Kaas ba a cikin jerin sunayen mawaƙa na karni na 20 ba. Wataƙila a waje da Faransa an dauke su da chansonnier, amma a ƙasar Faransanci akwai iyakacin yanayin tsakanin waɗannan nau'i biyu: mataki da kuma waƙar.

Chanson a cikin karni na 21

Da zuwan sabon karni, da jama'a sha'awa a cikin wannan m shugabanci ba sõmammu. Akwai mawaƙa masu raira waƙa. Jerin, wanda aka gudanar na kimanin shekaru 100, ya kara da sabon sunaye: O. Ruiz, K. Clementi, K. Ann, da sauransu.

Kammalawa

Harshen Faransanci a wurare da yawa ya bambanta da wasu ƙwararrun ƙwarewar Turai. Yana da karin moriya, romantic, m. Yana da har abada. Songs of Charles Aznavour saurare fiye da daya tsara na music masoya a duk faɗin duniya. Ayyukansa Bel, Bogem, Ƙadalai madawwami da sauransu sun zama kyawawan abubuwan fasaha na duniya. Duk da cewa cewa faransanci na zamani ta saukar da mashaya a cikin 'yan shekarun nan, buri ba ya daina yin rajista da jerin sunayen mawaƙa na mawaƙa za a cika su tare da sababbin sunayen da za su inganta wannan nau'in zuwa sabon matakin.